Once again my video links have reached critical mass.

01. Regina Spektor does “Blue Lips” on Jools Holland (via Culture Bully). It is probably an understatement to say that I am SO SO SO SO SO SO SO anticipating this new album. Also, R.Spektor is so very adorable.

02. Space Cowboy’s new single, “Falling Down” (via Electroqueer). I am enamored of this Space Cowboy fella because of his collaborations with Lady Gaga, but he’s also monstrously danceable by himself.

03. Bishop Allen does “Butterfly Nets” in a bathroom (via IGIF). It’s one of my favorite Bishop Allen songs, definitely. Plus, ukelele is the new orange.

04. JoCo singing “Future Soon,” (via Boingboing), the ultimate nerd anthem. I find it a very sad song (I can’t decide from the text whether it’s supposed to be sad) — I hate to think of science smoothing away everything that makes us human (i.e., our flaws).

05. Don Omar’s “The Chosen” and “Virtual Diva” from his new album “iDon” (at Slate). Of course I can’t understand a darn thing Omar is saying, but if it’s reggaeton and cyborgs, I am on board like Scully on a ghost ship.

06. Beverly Sills singing from “La Traviata” with the Muppets (via LAist). Is there something that’s not to like? I didn’t think so.

07. Over at Boingboing they are obsessed with cigar box guitars, which I think is weird, but then they linked to this video of Keni Lee Burgess playing that Muddy Waters classic, “Baby Please Don’t Go,” and I can now see their side of the story.

08. Has everyone already seen this? YANP linked to a trailer for “Where the Wild Things Are,” complete with Arcade Fire soundtrack. If it wasn’t Spike Jonze directing, I would say, psh, you can’t make a movie out of this book. Instead I’ll just say, this sounds like a movie for other people to watch.

09. EQ does it again — lots of footage of the nostalgia 80s reunion in Quebec — Tiffany, Deborah Gibson (maybe she went by Debbie for one night), Samantha Fox, and Rick Astley. I don’t care what you say. I listened to “I Think We’re Alone Now” and “Spanish Eyes” about a million times when it came out, so THERE.

10. Iron & Wine does “Godless Brother In Love”s on Jimmy Fallon (via Culture Bully) — get it while it’s hot at Hulu. I love Sam Beam but looking at that beard gives me the willies.

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Ah, my favorite genre, the mishmash that is folk/alt-country/alt-folk/americana, whatever you want to call it. Whatever the moniker you choose, it’s the heartsbloody, dirty-handed songs of the people, and excluding blues & blues rock, there isn’t anything better to listen to. Lately there’s been a slew of good stuff coming down the pike like the train rolling past Folsom Prison. Let’s take a listen, shall we? *beep* [advance filmstrip]

01. The Felice Brothers — Yonder Is the Clock

Though the album is (on the whole) rather lugubrious, all the Felice Brothers elements are there — death, brawling, the mob, you know, stuff like that. I’m not a person that throws around the word “authentic,” thanks to a lot of theory training, but the Felice Brothers strike me as a deeply human band. Entry track is “Run Chicken Run,” a romping singalong about how chickens don’t get no life after death. (Unless you read that one Shalom Auslander story.)

The Felice Brothers — Site | Myspace | Label (Team Love)

The Felice Brothers — Run Chicken Run

The Felice Brothers — Boy From Lawrence County

02. Justin Townes Earle — Midnight At the Movies

I have not heard the entire JTE album yet, but I love the juxtaposition between the two songs I do have. “Midnight At the Movies” is kind of this micro-study of humanity, this guy who’s reaching out for anything but who mostly ends up with his flicks. And then “Mama’s Eyes” is this really warm, human introspection about parents and where a person gets his physical and mental traits. I love them both! And probably whatever else happens to be on an album between them.

Justin Townes Earle — Myspace | Label (Bloodshot)

JTE — Midnight At the Movies (sxsw showcase version)
JTE — Mama’s Eyes

03. Scott H Biram — Something’s Wrong / Lost Forever

This one I haven’t heard either, but I’m a Biram fan and from the two tracks that Bloodshot released, I’m thinking it is standard Biram fare, all hellfire and brimstone. Woot! Smells like sulfur up in here.

Scott H Biram — Site | Myspace | Label (Bloodshot)

Scott H Biram — Still Drunk, Still Crazy, Still Blue
Scott H Biram — Judgment Day

04. Roadside Graves — My Son’s Home

Straddling the pointy pointy fence between alt-country and folk, these guys come from New Jersey, of all places. But there is no Bon Jovi in these stark, deceptively simple songs. The harmony is a little shaky in “Far and Wide,” but that’s practically a bonus. The album is not out yet, but enjoy these previews.

Roadside Graves — Site | Myspace | Label (Autumn Tone)

Roadside Graves — Far and Wide
Roadside Graves — Ruby

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Well, I tried and tried, but me and the Hazards of Love just aren’t going to be BFFs. I had a previous commenter (thanks, Josh) who said that the title track was pretty good, and it came up randomly in my ipod, and I liked it pretty well, but like he said, the rest of it … eh. Not even the addition of Ms. Awesomesauce Worden can mitigate the ehness. Sorry, Colin and crew.

But something else came up randomly on my ipod — keeps coming up, actually, and I keep thinking, “this song is excellent! What is it?” — and it is pretty much always from the Harlem Shakes’ album Technicolor Health, which they kindly sent to me way back in January. This blog is very fond of “Burning Birthdays” and the full-out brashness it blessed my ears with, so I was glad to see the Shakes continuing the trend.

Technicolor Health is sometimes dissonant, sometimes chaotic, sometimes blippy and sometimes it goes bangety bang, but it’s all in the service of the sound. It’s a sound you have to work to get into, which is why I’m just writing about it now, I guess (yeah….). My favorite song is “Sunlight,” which combines a great beat with funny, ironic lyrics: I had a coat of many colors / sold it off online (PFork hates that line, which must be another reason to like it so much). And on the opposite end is the melancholic “Unhurried Hearts,” which (to me) laments the way life just rushes on like a freight train, and love sometimes misses us entirely.

Nice work, guys! Sorry it took so long for the writeup. I’ll be over here rockin’ out to my ipod.

The Harlem Shakes — Site | Myspace | Label (Gigantic)

The Harlem Shakes — Sunlight

The Harlem Shakes — Unhurried Hearts

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Off topic, does anyone have an “entry song” into “Hazards of Love”? You know, a song you can listen to and it gets you excited to hear the rest? Excluding the Rake’s Song, that is. I listened to the first three tracks and it was like, snoozeville, so either I am way off base or I just haven’t found the way into it. Any suggestions? (Confession: I kind of hate albums where the whole thing is one story. Excluding “The Wall.” But even that gets on my nerves sometimes.)

Aaaand, back to topic in five, four three ….

The ladies are rocking my socks off these last few months, with some really great stuff. It’s so much fun to look at my playlist and realize that it’s all women singing/writing/playing (yes, guys are great too, that’s not the point). Let’s recap, for those people who have been hiding under a rock for awhile.

01. Lisa Hannigan — Sea Sew. Have I said enough about this album? I THINK I HAVE.

Lisa Hannigan — Venn Diagram

02. Camera Obscura — My Maudlin Career. This one is classic C.O. and very fun to listen to. It starts off with such a great track, “French Navy,” where Traceyanne Campbell laments the fleeting nature of love and its unholdability.

Camera Obscura — French Navy

03. Vienna Teng — Inland Territory. Her voice is so beautiful that she sneaks all kinds of social issues into her songs and you don’t even notice until you’re singing along.

Vienna Teng — No Gringo

04. Bat For Lashes — Two Suns. Spacy, nutty, gorgeous: it’s all still there in the fabulous mix that is Natasha Khan.

Bat For Lashes — Travelling Woman

05. Neko Case — Middle Cyclone. The usual mix of the unusual: startling violent images, mysterious lyric play, being stalked by a cyclone. You know; same old same old.

Neko Case — Polar Nettles

06. Jenn Grant — Echoes. Understated and beautiful folk with jazzy undertones; the lyrics almost remind me of Bjork sometimes :D but the music does not sound anything like Her Icelandiness.

Go forth and listen!

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A beautiful new song by NY band Edison Woods has hit my inbox: well, sort of dropped into it with a teeny splash, but the ripples keep getting bigger and bigger. This is the Edison Woods of “Last Night I Dreamt I Would Last Forever,” a song so weirdly and slowly sublime that one forgets that it spans over seven minutes.

This new song, entitled “Wind Song,” reminds me of nothing so much as the Cinematic Orchestra — both bands employ that muted atmospheric piano and the sped-down pace. There’s just a bit of that European, San-Ilya-esque sensuality thrown in as well. The songs end up sounding almost otherworldly, but not in an alien way. More like they are the soundtrack following someone with a perfect life, someone who throws open French doors into a sunshiney morning.

I don’t have a song for you to sample, but you can listen to the Wind Song in its entirety at Edison Woods’s site.

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This one is kind of Electroqueer-heavy, but that’s just because EQ is so awesome.

01. Video for Matt Alber’s “The End of the World” — this guy, seriously, he can sing. I love this song, I have seen this video a million times. It’s romance with a capital Row.

02. If you have an hour and a half to watch a great film, clap your peepers upon “Sita Sings the Blues,” by Nina Paley. It’s augmented by the beautiful blues of Annette Hanshaw.

03. Via BoingBoing, I am fond of the chipper song “Happy Up Here” by Röyskopp. Space invaders!

04. Not to jump onto the literal video bandwagon, but I like the literal video for “Head Over Heels,” because when you don’t have to concentrate on the song, you notice how dippy the video actually is. I used to love those old-timey videos (heh), which weren’t slick and stupid and full of plasticked-up singers doing ripoffs of Janet Jackson dance sequences.

05. Largehearted Boy has John Darnielle doing “Woke Up New,” with backup singer Tobias Wolff. How cool is that.

06. EQ links to nifty Pet Shop Boys montage, done live at the Brit Awards (scroll past Brandon Flowers to the second video). Lady GaGa does a little cameo too. Oh, Lady G.

07. Via BoingBoing, the totally adorable Nano Song, about … what else … nanos. I still don’t really know what a nano is but that’s cool.

08. Also at BB, Chinese bluegrass. Awe. Some.

09. Stereogum has video for Ladytron’s “Tomorrow.” Brandon’s right, it does look a bit like Parrish, although to my knowledge he never painted flying jellyfish.

10. The Gum also has video for Malajube’s new song (well, it was new as of last month, okay, geez) called “Porté Disparu.” The band all gets murderated. It might be because of their poor sartorial choices.

11. Fabulist! has Amanda Palmer doing “Creep” on a ukelele. That woman can do anything, I swear. If they told me she was playing the tuba with her toes, I’d believe it.

12. EQ showcased Private doing a crazy video for “Killer on the Dancefloor.” I’m a fan of Private’s 80s sound, but I have no idea what any of his videos are about. Paging Killer, paging Killer, please wash your hair, repeat, please wash your hair.

13. There is also video at EQ for Lady GaGa’s “Love Game.” Lady G never fails to amaze with her trashy French-cut bodysuits and her awful lyrics (she got her a** squeezed by sexy Cupid. HAH), but when she belts it out in that voice, she rocks my socks.

14. At BoingBoing, Japanese Saturday Night Fever meets, uh, public breakdancing. It’s Peter, Bjorn, and John’s video for “Nothing To Worry About.”

15. And last but not least, snails slithering in time-lapse to the tune of “Go West.” My 4-year-old son’s favorite word is “snail.” I should probably show him this video, but then of course I would have to watch it a thousand times.

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Bon Ton day

By strange coincidence, the word of the day at AWAD is “bon ton.” So if you’ve always wanted to know what it meant, there you go. It’s Bon Ton day! Let’s celebrate it my way: virtual unicorn tapestry cake and poetry.

Almost Blue
by Mark Doty

Chet Baker, 1929-1988

If Hart Crane played trumpet
he’d sound like you, your horn’s dark city

miraculous and broken over and over,
scale-shimmered, every harbor-flung hour

and salt-span of cabled longing,
every waterfront, the night-lovers’ rendezvous.

This is the entrance
to the city of you, sleep’s hellgate,

and two weeks before the casual relinquishment
of your hold — light needling

on the canal’s gleaming haze
and the buds blaring like horns –

two weeks before the end, Chet,
and you’re playing like anything,

singing stay little valentine
stay

and taking so long there are worlds sinking
between the notes, this exhalation

no longer a voice but a rush of air,
brutal, from the tunnels under the river,

the barges’ late whistles you only hear
when the traffic’s stilled

by snow, a city hushed and
distilled into one rush of breath,

yours, into the microphone
and the ear of that girl

in the leopard-print scarf,
one long kiss begun on the highway

and carried on dangerously,
the Thunderbird veering

on the coast road: glamor
of a perfectly splayed fender,

dazzling lipstick, a little pearl of junk,
some stretch of road breathless

and traveled into … Whoever she is
she’s the other coast of you,

and just beyond the bridge into the city’s
long amalgam of ardor and indifference

is lit like a votive
then blown out. Too many rooms unrented

in this residential hotel,
and you don’t want to know

why they’re making that noise in the hall;
you’re going to wake up in any one of the

how many ten thousand
locations of trouble and longing

going out of business forever everything must go
wake up and start wanting.

It’s so much better when you don’t want:
nothing falls then, nothing lost

but sleep and who wanted that
in the pearl this suspended world is,

in the warm suspension and glaze
of this song everything stays up

almost forever in the long
glide sung into the vein,

one note held almost impossibly
almost blue and the lyric takes so long

to open, a little blood
blooming: there’s no love song finer

but how strange the change
from major to minor

every time
we say goodbye

and you leaning into that warm
haze from the window, Amsterdam,

late afternoon glimmer
a blur of buds

breathing in the lindens
and you let go and why not

——————————————-

Chet Baker — My Funny Valentine

Annie Lennox — Every Time We Say Goodbye (Cole Porter)

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Desert Noises

I have to give love to my former place of residence, Provo UT, where I spent seven years acquiring a degree at Parentally Approved Religious University. There was a fun band scene going on back then (not all of it related to PARU, just in general) & I’m sure it hasn’t changed. So, yes, there is music here and not just maudlin memories — the band is called Desert Noises.

Listening to it reminded me strongly of Ill Lit and some of the stuff off of “Tom Cruise” — there’s even some electronica mixed in — but with a little more zip & harmony. Songs like “New Man” and “Blue Skies” are charming and well put together for a group of youngsters, that’s right I said youngsters, now all you kids get off my lawn. If you like Ill Lit, the Damnwells, perhaps even the Band of Annuals, this is music for you.

Desert Noises has a s/t EP available on iTunes, and if you happen to be hanging in the intermountain west, they may head to a city near you. From what I read, their live show is very good and worth catching. Makes me wish I could pop over to Velour and catch it — I used to live not so far from there. Eeeeanyway. The music, you should hear it.

Desert Noises — Myspace | Label (Northplatte)

Desert Noises — New Man
New Man video at Speed of Dark

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Crushy VDay

Since I have a big crush on AC Newman, I will wish you a happy Valentine’s Day by posting his cover of “Take On Me.” It’s on the Starbucks compilation entitled “Sweetheart,” if you wish to enrich them by purchasing it. There’s a good Jem song and a half-decent cover of “I Put A Spell On You” by She & Him (i.e., the backing blues guitar is awesome, but I can’t listen to it because of her singing. Sigh). Oh yes, and a great DeVotchKa cover! And some not-so-great covers.

So rather than buying it at Coffee Conglomerate, go pick and choose on iTunes like a box of chocolates where you throw out the weird cherry ones and the ones full of strawberry creme (or maybe you keep those, because I’m the weirdo who likes chocolate fondant. Whichever).

And I’ll put up the DeVotchKa. But that’s because I love you, faithful reader.

[ed note: tracks removed! Email me for a copy.]

AC Newman — Take On Me (A-Ha)

DeVotchKa — Hot Burrito #1 (I’m Your Toy) (Flying Burrito Brothers)

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Music by email

Ye olde oddes & endes.

01. Eleni Mandell — I liked everything I heard from Mandell. “Artificial Fire” (the song) has this gorgeous guitar work on it, and though I’m not sure what she means by artificial fire, it’s no weirder than pretty much every New Pornographers song ever. There’s a strong jazz influence on the music, with extra brass, which is awesome. Mandell is apparently a Silver Lake fixture if you know that scene, so hop over to her site and preview some tracks. You can pick up “Artificial Fire” (the album) on Feb. 17.

Eleni Mandell — Artificial Fire

Eleni Mandell — Site | Label (Zedtone)

02. The Online Romance — They sent me a very cute song called “Ladybug, Don’t Smile.” Love the lyrics: “Your spotty bright umbrella covers your back / and it seems as though you never heard that luck goes badly.”

They seem to be writing some songs for an upcoming album. Perhaps we will hear more later? This song seems very apropos for a summer mix. *files it away for ladybug season*

The Online Romance — Ladybug, Don’t Smile

The Online Romance — Site | Myspace

03. Jenn Grant — Six-Shooter Records strikes again. I love Jenn Grant, I may have mentioned this before. Yeah. Gorgeous redhead delivers laid-back, harmonious, beautiful tunes, never the same twice. My favorite so far is “(I’ve Got) the Two Of You,” which sounds like the Andrews Sisters. Album entitled “Echoes” came out Feb. 3rd.

Jenn Grant — (I’ve Got) the Two Of You
Jenn Grant — Fireflies

Jenn Grant — Site | Myspace | Label (Six Shooter)

04. Turbowölf — Guys, they have an umlaut in their name. The music is as thick as peanut butter and “Ghost Hunt” has a fantastic moshable beat. It is not my usual cup of tea, dur, but it does take me back to high school (in a good way). I don’t think there’s any kind of new album or anything, just some random promotion and talk of SXSW and whatnot. Haha, I pet them on their Turbo furry heads.

Turbowölf — Ghost Hunt

Turbowölf — Myspace

05. Weinland — They didn’t send me much info so I have no review. However, you too can stream a good new Weinland song at the Portland Mercury site.

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